Photography, for me, is less about capturing appearances than it is about excavating presence. My work begins with light and shadow, but it always arrives at the question of memory: what is preserved, what is forgotten, and how images shape the way we carry our stories forward.

Influenced by the clarity and intensity of Robert Mapplethorpe, Richard Avedon, and Irving Penn, I approach portraiture and still life with a dramatic, pared-down aesthetic—often one or two lights, shallow depth of field, and deliberate use of contrast. In this stripped-back space, every gesture, every silence, every shadow begins to speak. I am drawn to the tension between intimacy and distance, between isolation and connection, and the way photography can hold both at once.

My practice often circles around themes of resilience, vulnerability, and the traces of history—personal and collective—that live in the body. In projects such as Stories Under a Tent, I create space for everyday people to be seen and heard, offering free portraits and collecting their stories as a living archive of voices. These encounters are fleeting, yet they accumulate into testaments of humanity that remind us how deeply connected we are.

At its core, my work is not message-driven but purpose-driven: an ongoing attempt to see the world with honesty, to sit with its contradictions, and to transform moments of solitude and struggle into images of dignity and meaning. Every photograph I make carries something of myself—sometimes clarity, sometimes mystery, but always a reflection of the human need to be remembered.